Developing new quality productive forces is an inherent requirement and important focus for promoting high-quality development, and tourism resource development is a typical field for achieving this goal. Among them, art resource development is particularly representative-the development of art tourism resources in the New Era is not only highly compatible with new quality productive forces, but also a key innovative path for promoting the development of cultural industries. However, at present, the question of how new quality productive forces empowers the development of art tourism resources, its connotation and mechanism, has not been systematically answered. Based on this, firstly, this study proposes a full value chain model that empowers the development of art tourism resources with new quality productive forces, explains its basis and connotation, and analyzes the exploration and production, creation and innovation, assignment and value-adding, dissemination and marketing, benefits and distribution, management and governance, inheritance and protection, as well as the entire chain process of sustainable development of art tourism resources covered by it; proposes a full value chain value-added model for material, spiritual, and constructive art tourism resources. Secondly, the study proposes a full value chain development mechanism for empowering art tourism resources with new quality productive forces from three dimensions: subject expansion, industrial driving force of supply and demand coordination, and development path of new quality technology. Thirdly, the study proposes future research directions for the development of art tourism resources, covering innovation led research, research on new growth models, new development paths, and the supporting role of high technology. Overall, the study takes art tourism resources as the starting point, aiming to use this type of resource with typical new quality characteristics as an example to explain the connotation, model, mechanism, and future research of high-quality development and value enhancement of tourism resources in the creative era. This research is not only of great significance for the theoretical and practical development of tourism resources, but also helps to promote high-quality development of urban and rural areas in China in the New Era by leveraging tourism resource development.

Clarifying the spatial network characteristics of typical mountainous tourism resources development level has important reference value for maximizing the public welfare function of tourism resources and promoting social well-being. Taking 71 counties (cities, districts) in the Wuling Mountain area from 2008 to 2022 as the research object, this study measures the development level of tourism resources and social well-being. It characterizes the spatial network characteristics of tourism resources development using the modified gravity model and social network analysis method, and analyzes its social well-being effects from the perspective of centrality using spatial econometric models. The results show that: (1) The development level of tourism resources and social well-being in the study area are increasing, with significant spatial differentiation. The former exhibits a spatial pattern of "northern protrusion, central depression, and southern stability," while the latter shows a "point-belt" pattern and tends to be polarized. (2) The spatial network of tourism resources development exhibits an imbalanced structure with "denser in the middle and looser in the surrounding areas, as well as denser in the southeast and looser in the northwest". The network connections and network density are both increasing, while network efficiency and spatial network hierarchy are gradually decreasing. (3) Centrality in the spatial network of tourism resources development has a positive direct impact and spatial spillover effect on social well-being.

Network attention is a concentrated expression of market demand, and it provides a new focus for releasing the potential of tourism consumption and optimizing the allocation of tourism resources in the context of flow economy. Based on the phenomenon that the current network focus hotspots and spatially based resource distribution abundance are not fully coordinated, and the transformation of tourism resource utilization value to product market value is insufficient, this paper takes Yunnan province data from the whole and local scales as the cases from 2013 to 2022 to explore the spatial mismatch relationship and driving mechanism of tourism resource abundance and network attention in this province through the methods of gravity center model, spatial dislocation index and geographic detector. The results show that: (1) From the perspective of the overall mismatch, the gravity center of tourism resources abundance and tourism network attention during the study period present the characteristics of moving to the southeast and the southwest of Chuxiong Yi Autonomous Prefecture, respectively. The fluctuation amplitude of the distance between the two centers of gravity is relatively large, showing a repeated alternation of "approaching-distancing-approaching". (2) From the perspective of regional dislocation, the spatial mismatch relationship between the two regions has obvious regional characteristics, presenting a distribution pattern of "positive mismatch area-negative mismatch area-positive mismatch area" from northwest to southeast. (3) From the perspective of driving mechanism, the four driving forces, namely, resource endowment, human resource potential, economic development and information dissemination, are intertwined, which jointly drive the evolution of tourism resource abundance and network attention in Yunnan from spatial dislocation to spatial adaptation. The results of this study not only respond to the practical needs and academic concerns of the adaptive development of regional tourism resources "quantity and quality" and network attention in the context of flow economy, but also promote the rational explanation of the driving mechanism of spatial mismatch between them.

The Opinions on Implementing the Plan to Promote Ethnic Exchange and Integration through Tourism points out that high-quality development of the tourism industry should be accelerated to promote the forging of a strong sense of community for the Chinese nation. As an important resource of the tourism industry in the New Era, ethnic art has become an urgent theoretical question to be answered on how to make good use of artistic resources to promote the forging of a strong sense of community for the Chinese nation. Therefore, this article takes Beichuan Qiang Autonomous County as a case study and explores how tourism development of ethnic art resources can realize this goal based on the theory of communitas. Research has found that, firstly, ethnic art tourism is based on performance and aesthetic space, with interactive rituals as the process, to generate a state of communitas, strengthened by individual well-being and collective identity, and promote the forging of the sense of community for the Chinese nation. Secondly, tourism industry development should be carried out on ethnic art resources, generating a spiritual field of aesthetic experience, using shared ritual symbols as the basis, shared artistic discourse as the link, shared sensory experience as the channel, and shared embodied behavior as carriers, to achieve interactive co-creation of individual and collective physical and mental experiences among participants. Thirdly, individual physical and mental experiences include aesthetic experiences, value experiences, and flow experiences based on embodied participation; the collective physical and mental experience is based on shared historical memory, including experiences of equality, connection, and belonging. Fourthly, the individual and collective physical and mental experiences mutually enhance each other in the interaction between hosts and guests, working together with individual well-being and collective identity, and promote communitas in the interaction. Through the progression of the three dimensions of communitas (spontaneous, normative and ideological), we can forge a strong sense of community for the Chinese nation. This research contributes case studies and theories from the field of tourism resources to promote the construction of a scientific and comprehensive theoretical system for the Chinese nation's community.